I conducted an experiment where I put my portrait sketches through the app called Colorize, which is designed to turn black-and-white photos into colour. The aim was to see if the programme could recognise my sketches as people. Miraculously it did and above are the results. I was worried that the app would either mistake Tilney for a girl, or for a caucasian. It did neither and as a result, I made little to no changes in photoshop. Alex was given grey hair, bless him, so I coloured his hair [ . . . ]
Adrian is one of Alex’s distant cousins and a member of his circle of friends. She is also a friend of Tilney, although he’s secretly scared of her. She would argue that if he only stopped clicking his pen in class, she would have a little more patience left for lunch and wouldn’t feel the need to point out his areas of weakness. For Adrian’s freckles, I use a technique where I take my blending stump, rub the tip in graphite, and dab it all over her face. The effect [ . . . ]
It’s official. I have changed Henry’s name to Tilney Haru Hellewell-Sullivan because I think the name sounds more unique. It’s sad to say goodbye to the name, Henry. But I am really digging Tilney. It’s just as soft and cute. I named Henry after Henry Tilney from Northanger Abbey, so the shift is not as drastic. Also I’m loving the futuristic sound of the ship name, Talex.
I decided to draw Henry again, but in a style closer to how I drew Alex. I originally drew Henry in a more cartoonish style, as I based it off the character in my graphic novel series. This Henry is as he appears in the novel adaptation that I’m currently working on. Still the same Henry, but drawn in a more traditional style. I’m really pleased with how he has turned out. He’s exactly how I imagine him in my head; big beautiful eyes, long thin face and generous bottom [ . . . ]
Alex is the protagonist in my series Friends of Foes. He shares the spotlight with Henry. He’s been bugging me to sketch a portrait of him since I first began sketching Henry. He still doesn’t understand why I didn’t sketch him first. After all, Alex is king – which ultimately puts him at the centre of the universe. I had a lot of fun sketching Alex. I tried to keep it traditional and let his eyes shine without any embellishments from me. He’s supposed to look intense, so I hope [ . . . ]
Just finished a sketch of my oc, Henry’s aunt, Nadya. She’s a no-nonsence witch who runs her own coven. For Nadya, I decided to go more traditional with my sketch because she is stubborn and isn’t easily swayed in her beliefs. I couldn’t help but add a little of my own style, such as the overly large eyes – guess it fits her subtle non-conformist nature. I also coloured her hair and eyelashes in charcoal to portray her rebellious streak. Nadya is secretly in love with a vampire, and in [ . . . ]
So my first portrait is of the protagonist, Henry, from one of my online stories. There’s a crease in the picture, which is a bit unfortunate. Will be more careful with my next sketch. I decided to go for a realistic-expressionistic look to better express his personality. In this case, Henry is troubled, which is why I have him staring into the distance (how deep!). I think the eyebrows help create the troubled, but thoughtful look too. They slightly stoop in the middle. It always amazes me how subtleties of [ . . . ]